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Evan Ware: The Quietest of Whispers

by Evan Ware

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  • Compact Disc (CD) + Digital Album

    One CD in 4 page wallet with 8 page booklet

    Includes unlimited streaming of Evan Ware: The Quietest of Whispers via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 1 day

      $15 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Free pdf booklet included
    Purchasable with gift card

      $7 USD  or more

     

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II. Begin Again (original poem title “Da Capo”) Take the used-up heart like a pebble And throw it far out. Soon there is nothing left. Soon the last ripple exhausts itself in the weeds. Returning home, slice carrots, onions, celery. Glaze them in oil before adding the lentils, water, and herbs. Then the roasted chestnuts, a little pepper, the salt. Finish with goat cheese and parsley. Eat. You may do this, I tell you, it is permitted. Begin again the story of your life.
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IV. The Fire Again open the book of reds and golds. Study the faces of poppy and lion, the bright-carpet tapetum lucidum of your own life. What looks back and seems to be burning is burning; though not all the same: in the moment of turning away from rain, the day gives off— red & gold— the slightest scent of peaches. This too so you might know things as they are. So you, who are already walking within, will come in. Why else take up the body’s single candle, if not to see how everything is consumed?
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VI. Turn Over (original poem title “The Clock”) Night pond, its few leaves floating: absence-of-stars, drifting over the surface. But even fallen things disrupt each other. Beauty, griefs turn over. The leaves move all night, slowly, until they again are red.

about

“Like one in six men, I am a survivor of childhood sexual abuse,” says Evan Ware. “But this fact remained submerged in plain sight for over twenty years of my life. Only a crisis forced me to finally look under the surface. And when I came up for air, it was as though I could breathe for the first time. The instability of my life—the convulsive emotions I was constantly barricading, the pain I reflexively inflicted on myself and others—finally had a name: trauma. It was then that I truly began to heal. I wrote these symphonies to build community by sharing my experience of recovery so that no survivor needs to feel alone as I did.”

The Quietest of Whispers includes two large-scale works that chronicle Ware’s survival from childhood sexual abuse. It took another crisis, however – a brush with cancer in 2011 – to finally confront what he had been avoiding. Having no choice but to stare down his own mortality granted him a new perspective: he didn’t need to be afraid anymore.

Ware uses his rich musical language to invite understanding of the turbulence, volatility, bewilderment, and dissociation of the survivor’s twilight journey, and then to steer it, with tenderness and vulnerability, towards the light.

Symphony No. 1 is an unflinching, single-movement exploration of how abuse survivors restore their fractured and dissociated narratives. Entirely instrumental, it stands in contrast to Symphony No. 2, a more introspective work that adds a soprano to the ensemble and sets three texts by American poet Jane Hirshfield. Dedicated to the hundreds of survivors from the late 2010s Michigan State University and USA Gymnastics sexual abuse cases, it is a journey through the recondite and luminous beauty of the daily struggle to love yourself.

“Perhaps better than any other works I have written, these two symphonies realize a core aim of my work: that it helps people face the most formidable questions of our daily lives. I offer no solutions. What I do offer is my companionship and understanding in dark places; the faintest of lights, perhaps, the quietest of whispers.”

Evan Ware is a composer and music theorist who focuses on the reclamation of human dignity and community in the face of trauma, hatred, isolation, and distraction. Praised as “rich with vivid imagery” and “highly detailed and multi-layered” (New Music Box), Evan writes music of angular, bristling energy, with moments ranging from clamorous sublimity to reverent tenderness. His works span media from orchestra, wind ensemble, gamelan, to opera, chamber music, and solo instruments. An active scholar of cover songs and multi-media music, he co-edited Music in Star Trek: Sound, Utopia, and the Future (Routledge, 2023). He is Assistant Professor of Music Theory and Composition at Cal Poly Pomona.

An avid champion of music of our time, Kevin Fitzgerald co-founded ÆPEX Contemporary Performance in 2015 with composer Garrett Schumann at Eastern Michigan State University. They are joined in Symphony No. 2 by celebrated soprano, Amy Petrongelli, praised by The New York Times for her “admirable fluidity.”

credits

released July 24, 2023

ÆPEX Contemporary Performance
Kevin Fitzgerald, conductor
Amy Petrongelli, soprano

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Evan Ware Pomona, California

Evan Ware is a composer and music theorist who focuses on the reclamation of human dignity and community in the face of trauma, hatred, isolation, and distraction.

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